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Most sinister of all is Elena Lincoln (a welcome Kim Basinger), owner of the hair salon Esclave (French for “slave” if you must know), the woman who started Christian on his downward path years before and refuses to let him go.ĭespite its determination to make us gasp, “Fifty Shades Darker” is finally too decorous for its own good. All the sexual ecstasy she has to counterfeit seems to have sapped Johnson’s energy, and the pumped-up Dornan’s most effective scene is not a dramatic one but a solo gymnastics move on a vintage leather pommel horse.Īnd then there are those sketchy characters, including Anastasia’s boss, a book editor whose villainy extends well beyond changing the random comma and whose insinuating tone makes even a business trip to New York’s convivial BookExpo sound sinister.Īlso lurking in the vicinity is the pale and wan Leila Williams (Bella Heathcote), an up-to-no-good survivor of Christian’s dark history who comes and goes like the Ghost of Christmas Past. Johnson and Dornan do their best, but the spark they had in the first film is largely gone. Anastasia worries that Christian will have trouble giving up his domineering ways, (“this is not a relationship, it’s ownership,” she snaps at him at one point) and he has difficulty getting used to her desire to have a genuine career. There are not many films where “I want you to spank me” is a pivotal line, but it is here.īut all this is not as easy as it sounds. And he experiments with allowing Anastasia to touch him, even, in a particularly boggling scene, helping her draw an outline of his forbidden zone on his torso with bright red lipstick.įor her part Anastasia gets more comfortable with the kind of, uh, adventurous sexuality that has been the norm for Christian. On Christian’s side, he begins to open up about his past as the son of a crack-addicted mother who died when he was 4. “No rules, no punishments, we only do what you’re comfortable with.” To which she adds, “no more secrets.” And so the compromising begins. “I’d like to renegotiate terms,” he tells her at a peace conference dinner. And he, much to his surprise, feels the same way. Or did she?Įven though she’s got a new job as a receptionist for hotshot fiction editor Jack Hyde (Eric Johnson) at Seattle Independent Press, Anastasia can’t quite get Christian out of her mind. Horrified at the way Christian “got off on the pain you inflicted,” Anastasia walked out of the relationship and moved on. When the first “Fifty Shades” ended, compromise was the furthest thing from Grey and Steele’s minds. Despite all that huffing and puffing about darkness, and the presence of some sketchy characters at the film’s margins, this is basically a narrative about compromise, and though that quality is essential for a lasting relationship, it does not make for stirring drama. To be fair, part of the problem here is with the novel’s storyline. Despite its culturally sanctioned titillation, including the introduction of a whole range of sex toys that are definitely not for children, this is a surprisingly dull and tedious affair where nothing is even remotely plausible, the romance and the sex least of all. The film the new team has come up with is noticeably less alive than the last one. Taylor-Johnson reportedly clashed with author/producer James and has been replaced by journeyman director James Foley, and Marcel was replaced by Niall Leonard, who happens to be James’ husband.
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Character drink frequently, and there's lots of brand/product placement, especially luxury cars, electronics, and jewelry.Johnson and Dornan are back (more about them in a minute), but the rest of the team has been changed. Language is also strong, with words like "f-k," "s-t," and "a-hole" used frequently. That said, this installment features more out-of-the-bedroom violence than the first movie: There's a scene of gun violence, a helicopter crash, and a near sexual assault.
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In fact, the central couple - whose relationship started out unhealthy but now has turned into love - seems to do little else but have sex at least this time around, the steamy scenes are less violent and more loving. It's filled with sex and has many graphic love scenes, including close-up shots of naked breasts and buttocks and glimpses of pubic hair. As anyone who's seen the first movie or read the books knows, this is not an appropriate movie for teens. James' best-selling erotic romance novels originally written as Twilight fan fiction. Parents need to know that Fifty Shades Darker is the second installment in the Fifty Shades of Grey trilogy, movies based on E.L.